{"title":"Non-fiction","description":null,"products":[{"product_id":"lovers-in-auschwitz-a-true-story","title":"Lovers in Auschwitz: A True Story","description":"\u003cp\u003eThe “mesmerizing and inspirational” (Judy Batalion) true story of two Holocaust survivors who fell in love in Auschwitz, only to be separated upon liberation and lead remarkable lives apart following the war—and then find each other again more than 70 years later.\u003c\/p\u003e\n\u003cp\u003eZippi Spitzer and David Wisnia were captivated by each other from the moment they first exchanged glances across the work floor. It was the beginning of a love story that could have happened anywhere. Except for one difference: this romance was unfolding in history’s most notorious death camp, between two young prisoners whose budding intimacy risked dooming them if they were caught.\u003c\/p\u003e\n\u003cp\u003eIncredibly, David and Zippi survived for years beneath the ash-choked skies of Auschwitz. 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Using a different analytical approach, for the first time, Sarah Bax Horton identifies a named perpetrator as Jack the Ripper by linking eye-witness accounts of the killer’s distinctive physical characteristics to his official medical records. 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An important inflection point in Hollywood filmmaking.” ―New York Times (\"Nonfiction Books to Read This Summer\")\u003c\/p\u003e\u003cp\u003eIn the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood's now biggest names―altering the art of movie-making to this day.\u003c\/p\u003e\u003cp\u003eIn The Future Was Now, Chris Nashawaty recounts the riotous genesis of these films, featuring an all-star cast of Hollywood luminaries and gadflies alike: Steven Spielberg, at the height of his powers, conceives E.T. as an unlikely family tale, and quietly takes over the troubled production of Poltergeist, a horror film he had been nurturing for years. Ridley Scott, fresh off the success of Alien, tries his hand at an odd Philip K. 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